Lovely piece, Kate. Haiku are generally supposed to be about natural imagery.
But people make all kinds of short poems like yours- the 5-7-5 syllables is a terrific writing exercise that helps you come up with lovely descriptions & phrases, such as “Tantalising caresses/Trembling surrender”
You know I’m a fan of haiku, Kate. I think you did extremely well on your first attempt. I was told, however, that including an image with the written words makes it a haiga.
It had been many years since I had written a haiku, so when researched writing them for Triond, I was daunted by the complexity of writing this verse form. The result was Haiku Impossible. Your verse has the most common syllable structure down perfectly. I’m not totally sure about the content; but I will say it is a natural topic.
Hi, Kate, how are you?
While I like the image you presented (in your haiku-attempt) the only requirement you filled was the 5-7-5 syllable rule. But, there are a couple other rules for it too. But first, just let me say that if anyone ever tries to tell you that 5-7-5 is not necessary, then they are just trying to fool themselves. The reason some versifiers believe that 5-7-5 is not necessary is because they don’t realize that when the original Japanese versions of haiku came out, they were translated to English by minimalists, not realizing that the Japanese onji is very similar in nature to the English syllable. Haiku requires 17 onji in Japanese, therefore in English, 17 syllables. The truth of that was lost in translation when translators tried to be too exact in their English interpretations. Anyway, to continue: in Japanese, the haiku masters who perfected the form required that it include a contrast of opposites, as well as a season-word of some sort to represent one of the seasons or the changes between them. Then, of course, the hardest part of the whole process is to capture a moment in time when, in some kind of personification, either nature reflects human nature or vice versa. Therein of course, lies the difficulty. That is why very few English writers have become accomplished enough in it to say that they are good at it. I have only written a couple of haiku myself, so I may be no expert in writing it yet, but at least I can say I’ve done my homework. I have read somewhere in my research that according to Basscho, one of the Japanese haiku masters, said something like: “Write one perfect haiku and you are an intermediate, write ten perfect haiku and you are a master.” All of this, of course, is not meant to frighten you out of trying: quite the contrary! I wanted to make sure you had all your information before you go and try your second. Trying your first means you have at least started on Step One: one only becomes good at doing something by doing it.
As for minimalists that disagree with the 5-7-5 syllable count, or any of the other requirements, there is always the senryu! Thanks for sharing, Kate, and keep trying.
Definitely a good verse. You asked for feedback on this. Adam up there is correct in what he says. Also, a haiku should be about a season. Nevertheless, you’ve got the correct form. You can build on that. This is a sweet emotion.
Buzz, the author *did* ask for constructive comments. She wants to take her writing seriously and concentrate on getting things right. Sometimes, and to some people, those things matter.
I really like your art. I don’t know much about haiku, seems as if you have a great start here. Can’t wait for more. This had to come from deep within. Very good. I like it! E
After reading and researching I find that this piece is considered contemporary Haiku. You did single out your format and made your subject matter definitive. So moving. E