This is a poem that addresses gender issues and the abuse that stems from gender advantage in society. It explores the dual feminine and masculine nature of humans regardless of sex. It exposes the dark ethos of patriarchy. The poem is part of a larger collection of poems that relate to the topic of forgiveness, and is a way of using poetry as a therapeutic medium. I hope to create unique and poignant dialogue about gender relationships, identity, sexuality, ignorance, and the abuse of power.
The Cactus Flower
in a forgiveness workshop a man once asked me
“how do we,” and he looked at me, “how do we
make up for all that man has done to woman?”
•
and I dreamt
of man, eternal being
made into a eunuch, with blank
crotch and smooth curves,
ephemerally striding forth in purple hues.
lacking phallus, he could not betray woman.
is that true?
•
or is the phallus like
the trigger finger of a murderer,
a scapegoat for an act. the murderer
says, “that, that, is my trigger finger.
(would you like to touch it, darling?)
you see, it was not me that killed, it was that.”
the murderer calls his finger the murderer,
dissociates his self from his hand,
by claiming that
the finger is a handicap.
•
the thing is,
neither his finger
nor his phallus
is to blame.
but the failures
of his self,
and other men.
the many other men.
standing behind podiums
orchestrating prisons
of domestic abuse,
directing football fields
of boys, good ol’ boys,
raping mothers
with bayonets,
letting them hang
naked from trees
like strange fruit.
and they watch,
smoking, smoking, smoking
their pipes, sitting in chairs
behind wooden desks, under walls
hung with horns, never missing a chance
to display their bucks. and the horns
thrust, thrust, thrust. if only I could
slap the pipe out of his mouth,
tell him he doesn’t know
about women and eunuchs,
and the rise of purple.
and that
the blood on his own
horns will be the wine
at his last supper, as he
spills his cup
in tribute to a god that
never was.
•
no, to cut the phallus only
takes the edge off, dulls the
horn, so to speak.
but what is even harder
then admitting that, yes,
we are guilty of horn
thrusting, of displaying
our bucks, harder then
saying, “it is i that thrusts,”
is actually holding
the feminine, internally,
and externally and
eternally, protecting
always
the her
within that says STOP,
and stop again. stop
long enough to let
me swell. know that
that my river will
be your tears. go.
smother the world
with oceans of sorry.
gloss the land with
wave upon wave
of undo.
•
but, we are still learning…
buddhism says that now is the rise of the feminine.
and I picture armies of women, gays, trans, bis, marching
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