I recently watched Flicker a short film on the Canadian network Bravo. The film was about The Dream Machine which was created by Brion Gysin. Gysin was an artist, poet, and visionary. He was a member of The Beat Generation. He was a person whom I admire greatly. However, I did not know that he spent the early years of his life in Edmonton Alberta. Living close to Edmonton for the past five years I have not heard one person even utter his name. I find this a little concerning, since he shaped Post Modern culture in so many ways. Had Gysin not lived the world would be a completely different place. Edmonton can name a street after a hockey player that settled here, yet Gysin gets nothing. Here is my initial reaction to this realization.

There are no Dream Machines at West Edmonton Mall,

Image via Wikipedia

its creator another forgotten resident,

just a war widow’s son,

just a Catholic boy at an Anglican school.

There are no Dream Machines at West Edmonton Mall.

You can’t market transcendence.

Its creator created modern culture,

all forgotten in the beat.

Beat poet, artist, as forgotten,

as the meaning of beat.

Not the beat or rhythmic pulse.

Beat as in the beaten down of society.

Image via Wikipedia

There are no Dream Machines in South Edmonton Common.

You have to go to New York or Paris for them,

to a museum of forgotten relics of Post Modernism.

Wayne and Anthony have roads named after them.

What about Brion?

What about Mister Gysin?

Creator of the Post Modern world,

forgotten to his childhood home.

Everyone else still gets the credit for his vision.

Born ahead of his time,

and had he not been born,

his time would have never come.

Like DuChamp, he opened his hand,

his mouth and cultures were made manifest.

Echoes of “I AM THAT I AM THAT I AM THAT…”

ETC, ETC, ETC, ETCETERA.

Cut ups cut up the creator of cut ups,

uncredited except by the credited.

At least Will was honest about it all.

At least Will gave Gysin credit.

Image via Wikipedia

There are no Dream Machines on Whyte Avenue.

There is The Beat, both The Beat and those

pulses misconstrued as The Beat.

Maybe someone remembers Brion there.

Maybe there is a Dream Machine,

waiting in a back room,

for someone waiting for transcendence.

Don’t go searching for one after an Oilers game.

Related Links

Should The Whitemud Freeway be Changed to The Brion Gysin Freeway?

 R. S. Wing’s Article on Gysin’s Friend W.S. Burruoughs

The Godfather of The Beats: William S. Burroughs Part One

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Comments (6)
  • lillyrose on Oct 3, 2009

    good passionate article.

  • Brenda Nelson on Oct 3, 2009

    No dream machines its true, but they do have awesome sushi!

  • Lostash on Oct 3, 2009

    It’s a sign of the times I’m afraid, and the state of modern ‘celebrity’ too. Another great poem.

  • Ruby Hawk on Oct 3, 2009

    very well said, loved the poem.

  • RS Wing on Mar 11, 2010

    I thought he was from Europe. An artist that possessed many talents virtually unknown. Burroughs took the “cut-up” concept from Brion and ran pretty well with it. Burroughs once said “He hadn’t seen Art until he saw the work of Gysin” and implemented the cut-up method within the graphic art genre, unique montages of surreal images. Great tribute to a brilliant artist. Well written as I thoroughly enjoyed this piece.

  • Mark Gordon Brown on Mar 12, 2010

    R he was not born in Canada he lived here as a small child until he was 15 then moved back.

    there is more about him in this article I wrote
    http://socyberty.com/issues/should-the-whitemud-freeway-be-changed-to-the-brion-gysin-freeway/

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