Drozin sings all the solo parts for Handel’s Messiah at Carnegie Hall.

With the help of teams of synthetics, 30 theaters in the tri-state region gladly received the extended 3-D which was installed during the next two days and tested by presenting recorded performances from New Drantis’ library of recordings and experiencable programs.  To see how audiences would adjust to extended 3-D performances, some of the theaters presented conventional films that were adjusted by the equipment to be converted into extended 3-D productions.  It seemed strange to not have a screen to project images onto.  But when the realistic images were presented for the audiences to enjoy, people were astounded.  They didn’t leave until the last credit rolled by and then it was difficult to force some out of the theaters in order for the next show to be presented. 

The big day came and after five days of publicity, Carnegie Hall was sold out for both performances.  Even some of the theaters were sold out which made Carnegie Hall Management happy since it meant much more money coming in.  With equipment paid for by Ramshief, the production costs were nothing.  Other expenses were also picked up by Ramshief which was easy since all he had to do was reach through a portal in his coat and grab a handful of gemstones. 

WQXR and other classical stations around the nation and world sent people and equipment to Carnegie Hall to braodcast one or both performances.  Some were network broadcasts and even satellite broadcasters presented the performances so audiences around the world could hear the unique performances. 

As predicted, the performances were immediate hits.  Orders for the recordings over the Internet hit a million within an hour after the first performance and four million after the second.  Drozin brought tears to the eyes of listeners and when the musicians began to play the Hallelujah Chorus, the audience gladly stood and gave the performers a standing ovation for five minutes. 

After the last notes of the oratorio sounded, the audience in Carnegie Hall sat in stunned silence for a few moments until someone toward the back of the hall shot to his feet and cried bravo and started to applaud.  Everyone joined him and continued applauding and shouting in appreciation for ten minutes.  Flowers were presented to the conductor and Drozin’s four persona’s.  When he joined them into one, the audience applauded and shouted even louder. 

Drozin didn’t see Suzy or Sharon or any of the gang from Wow there in the hall.  But he was sure they had listened somewhere or seen an extended 3-D presentation.  Once his appearance at Carnegie Hall had been announced on the radio, TV, and Internet, tickets for both performances at the hall were sold out by Tuesday morning. 

When Drozin went to bed early Sunday morning while the gang was enjoying EPU programs, he was joyful because he had done something he had dreamed of doing since he first heard Messiah in his home dimension.  But another thought came to his mind.  Now he was also considered the greatest singer to ever grace a stage by many critics around the world.  It looked like Ramshief was going to be even busier booking concerts and opera performances for him.  Thank goodness he could divide himself into more than one people. 

A new goal Drozin had was to perform on all the stages of Lincoln Center simultaneously.  With the ability to become virtually anyone, he might be able to sing, dance, and even accompany himself on the piano as he sang in Alice Tully Hall.  He was going to have another reason to be exhausted as Mr. Amazing.        

      

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